DETAILED NOTES ON REOG PONOROGO

Detailed Notes on reog ponorogo

Detailed Notes on reog ponorogo

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a variety of stories from your Indonesian classics and modern writers, periodically released free for inside of Indonesia

Elementary educational institutions are operate by private and non-private establishments. There is no less than a single community elementary school in every single village and several villages have more than one general public elementary college.

Perkembangan reog Ponorogo cukup menggembirakan. Ia menjadi media pembelajaran siswa sekolah dasar hingga menengah atas. Muncul pula “reog santri” di kalangan pesantren yang diwarnai simbol dan nilai-nilai Islami.

He arrived at Ponorogo and setup an institution to show young people martial arts and mysticism. Ki Ageng Kutu’s hope was that his students would convey back the glory times on the Majapahit Empire.

Jathil Jathil adalah prajurit berkuda dan merupakan salah satu tokoh dalam seni Reog. Jathilan merupakan tarian yang menggambarkan ketangkasan prajurit berkuda yang sedang berlatih di atas kuda.

Bujang Ganong Bujang Ganong atau Patih Pujangga Anom adalah salah satu tokoh yang energik, kocak sekaligus mempunyai keahlian dalam seni bela diri sehingga di click here setiap penampilannya senantiasa diperagakan oleh 2 orang pada umumnya yang selalu ditunggu-tunggu oleh penonton khususnya anak-anak.

It describe the innate Ponorogo liberty and its opposition on centralist Majapahit rule. The lion represent the king of Majapahit whilst the peafowl characterize the queen, it absolutely was advised which the king was incompetent and often remaining managed by his queen. The attractive, youthful and almost effeminate horsemen explain the Majapahit cavalry which have misplaced their manliness.[3][4]

The Balinese keris dance is a section of a Barong dance overall performance depicting a struggle concerning Barong and Rangda, in which the dancers wield krises as weapons. The keris dance is considered sacred as it consists of magical trance.

Reog dancers efficiency in Java, Dutch East Indies, between 1920 and 1930 Reog Ponorogo dancers typically executed in a trance point out. Reog Ponorogo shows the standard Kejawen Javanese spiritual training. beside Actual physical requirement, the dancers—Primarily the Warok—required to follow stringent rules, rituals and routines, equally Actual physical and spiritual. one of many requirement is abstinence, warok is prohibited to indulged and involved with sexual romance with women, nonetheless possessing sexual intercourse with boy age 8 to fifteen is allowed.

Figur patih muda yang buruk rupa digambarkan dengan penari yang menggunakan topeng dari kayu dadap berwarna merah menyala dengan mata melotot, gigi menonjol, dan hidung yang besar, lengkap dengan rambut yang terbuat dari ekor kuda.

Dalam pertunjukan Reog ditampilkan topeng berbentuk kepala singa yang dikenal sebagai "Singa Barong", raja hutan, yang menjadi simbol untuk Kertabhumi, dan di atasnya ditancapkan bulu-bulu merak hingga menyerupai kipas raksasa yang menyimbolkan pengaruh kuat para rekan Tiongkoknya yang mengatur dari atas segala gerak-geriknya. Jathilan, yang diperankan oleh kelompok penari gemblak yang menunggangi kuda-kudaan menjadi simbol kekuatan pasukan Kerajaan Majapahit yang menjadi perbandingan kontras dengan kekuatan warok, yang berada dibalik topeng badut merah yang menjadi simbol untuk Ki Ageng Kutu, sendirian dan menopang berat topeng Singa Barong yang mencapai lebih dari 50 kg hanya dengan menggunakan giginya.

with the people of Ponorogo, this was considered id theft, because the industrial did not admit the origins of the dance.

Warok happens to be a description of Ki Ageng Flea's wrestle on your own. It can be described that he supports the load of a lion barong mask that may weigh more than 50 kg, utilizing only his enamel.

Today Jatil ordinarily done by feminine dancers. although, Warok, is played as Singo Barong. A warok may be the honorary title of local hero or strongman from the village that possessed equally Outstanding spiritual and physical energy. The dance by itself is demonstration of Bodily strength with the dancers. The dancers of Singo Barong should bear the mask for about thirty – forty kg body weight and supported via the power in their tooth.

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